First, let me attempt to excuse my actions here, by saying in full disclosure that I have the mother of all head colds, and the result is that my brain activity is rather sporadic. I actually woke up this morning with so much pain in my head that any noise--and I mean any noise--felt like an assault with a blunt instrument. Yes, even the sound of the sheets when I pulled up the covers made my head ache. So, I'm pleading diminished capacity here.
Then, after a solid dose of Sudafed and Tylenol (both (TM)), I ran into the need to exercise the dog. Of course, I had no need to exercise the dog, but HE did, and he made it clear to me that I was expected to fulfull my obligations--head cold or no. So, I decided the most efficient way to maximize the ratio of canine activity to human inactivity was to go to the off leash dog park.
So that's what we did.
It was colder today than it's been yet this winter and something about the weather and the time made the park more empty than usual. Bermondsey and I made it around our usual track when a nice looking lady with a beagle and a Airedale asked me and the other dog walker "Do either of you have a Chihuahua?"
Well--OF COURSE NOT! But she went on to describe a dog that had been following her and her two dogs for about half an hour--the salient points that I heard were "small," "no collar" and "shivering." She also bandied about terms like "abandoned" and "abused," and I was suddenly in her power.
So I helped her go look for this dog--and we found him. Not a Chihuahua, at least, but what turned out to be a puggle--a "designer dog" that is a cross between a pug and a beagle. There was indeed no collar, and he looked naked and cold. Yes. I am a sucker. And an idiot. But my heart is in the right place.
Because the Nice Lady managed to snag him. And then we had a problem. Before we grabbed him, we could have called Animal Control and reported a stray dog and gone home in the glow of A Good Deed Done. I was actually calling Animal Control when the Nice Lady nabbed him, but once he was no longer actually straying, it seemed silly to let him go to have somebody else try to capture him.
This is where I clearly let my soft head and my soft heart reinforce each other. Because Nice Lady wasn't actually from the area, and so she had no idea where to take this dog. But I did. So I did the Grand Gesture, and the Noble Thing, and I took this dog to my car to see if we could find his owner.
Okay, so the idea wasn't immediately a stupid one. Dogs have chips, mostly, so they can be returned to their owners if separated. I knew how to get to the Humane Society. So I put Bermondsey and Naked Dog into the car with the intention of getting New Dog scanned, then taking the resulting information and returning him home to his (presumably) loving home.
This first sign that things were going to go badly was the way the two dogs behaved in the car. New Dog had Doggie Business on the brain, and ended up chasing Bermondsey around the car. WHILE I was driving. In fact, Bermondsey had jumped from the front seat to the back seat to the front seat to THE TOP OF THE DASHBOARD in about 40 seconds while trying to avoid the nose of New Dog.
I pulled over, got Bermondsey down onto the floor, and tucked Lost Dog under one arm as I drove with one hand toward the Humane Society. However, in less than a mile, I spotted a "Pet Hospital." Huzzah! They would surely have a scanner! Odds were good that Shivering Dog would have a home in the vicinity! Let's pull in and get this taken care of!
No chip.
No chip.
I am beginning to revise my assessment of the situation.
Small naked dog, alone in dog park. No collar. No coat. No chip. Not neutered. As Wayne Campbell would say; "FISHED YOU IN!"
It is not unheard of for people to abandon their dogs at a dog park, in the hopes that some dog lover with more heart than sense would rescue said animal and give it a new home.
Veterinary assistant sold me a slip leash with which I could tie Abandoned Dog to a seat belt and at least lower the level of mischief while operating my vehicle. I also leave my name and contact information in case someone contacts the nearest vet to look for a lost dog.
Then we went to the Humane Society. And by the time we got there, Weasel Dog had the slip leash around his hips and has nearly broken free and is nearly within nosing distance of Bermondsey, who has taken to huddling deep into the foot well of the front passenger seat. Nobody is happy with this turn of events.
Now, the Humane Society has its own problems and budget crises, etc. etc. So when I walk in with Somebody Else's Dog, I am informed -- immediately--"you can leave him here but we can't tell you what happens to him."
This is brilliant. For them. Because here I am, a Concerned Citizen hoping to reunite Lost Dog with Grieving Family. There they sit, Non-Profit Agency in era of lost jobs and home foreclosures, dealing with a lot of surrendered pets. If they can get me to NOT turn this dog in, then that is one less animal they have to deal with. So, without ever saying anything like "not adoptable" and "euthanasia" or "budget cuts and financial shortfalls" they sucker punch me right in my soft heart and make it impossible for me to leave said Problem Dog on their hands.
What would my kids say if they found out I had done that?
So the intake worker gives Naked Dog a collar, and the AHS store sells me a "recycled" leather leashe for $2, and I'm headed back home. I do have a list of the web sites the AHS recommends for connected Lost Dogs to Found Dogs. So I go home and connect to the internet.
I go to the "Lost Dogs" bulletin board, and don't find This Dog missing, so I post a "Found Dog" report.
I go to Craigslist and scan the "Lost Dogs" bulletin board, and don't find This Dog missing, so I post a "Found Dog" report.
I go to "LostAndPound.com," lather, rinse, and repeat.
I check with a couple of rescue organizations, but it looks like there isn't much they can do. See above, re: lots of surrendered animals, few adopters, plus "no foster homes."
Posters! I haven't made posters yet! I snap a picture with my camera phone and start to make a poster to put up in the park. After all, if someone lost him at the park, that's where they will look for him again.
Meanwhile, I have put Mr. Puggle's leash around a door knob and closed the door. He can reach food, water, a cushion--but he can't reach Bermondsey. This seems to be a good solution, until I hear the sounds of growling. That Dog has chewed through the leather leash, and is back to chasing Bermondsey.
So I grab the Other leash, tie it to the first one, and give him a rawhide bone. Back to making a poster!
And then the mayhem starts again. Yup. Chewed through the second leash as well.
So I go to fetch a baby gate. The babies are now 13 and 16, so the gate is pretty far back in the accumulation of history that is our basement. I manage to winkle it out and set it up. I print out the posters and go fetch the "babies" from school.
We are home half an hour later, to find the baby gate has been breached. Poor Bermondsey--he's got to feel like the French at Agincourt. We drop off backpacks and computers, re-establish gate fortifications, and head out to put up posters.
When we come back, the gate has been breached again, this time in a fashion that locks both dogs on the wrong side from food and water. And Bermondsey remains Not Very Happy About All This.
As I write this now, Other Dog has been in the house for about ten hours. I have learned some things about him. He only eats dry dog food--he actually didn't even touch any of the wet I put out for him. He is used to wearing clothes to go outside--I got out a dog jacket that Bermondsey wears when his hair is short, and Clothing Optional Dog doubled his tail wagging. Jacket means outdoors! Outdoors after eating is good!
He was not an abused dog--rather the opposite. As we ate dinner, Comfort Dog went into the parlor and settled himself luxuriantly on a cushion. After dinner, and Capt. Sweetie and I enjoyed the fire, Spoiled Dog splayed himself full on his back, and proceeded to serenade us with a collection of snores and tongue clicks.
He is immediately territorial, or defensive, or something He barks at unfamiliar sounds and at intruders. How he knows WHAT sounds are unfamiliar, or WHO is an intruder is not clear.
Right now, he is sleeping in the same room as Bermondsey, and they are doing a good job of ignoring each other. This is not a bad dog--this is a dog somebody has put some effort into. But it's 11:00 p.m., and nobody has called looking for him.
To be continued. . . .
That, however, was not the foremost thought on his mind. No, he was busy checking all the dogs in the area in case any of them just happened to be female. It was apparently a bonus in his little mind if she was in heat.
Friday, December 04, 2009
Tuesday, December 01, 2009
Steig Larssen and the Feminist/Misogynist Dichotomy
I'm revisiting Steig Larssen's book The Girl With The Dragon Tattoo these days, and not of my own volition. I reviewed it on my book review blog some time ago, and recently received a comment in response to my review of the sequel, The Girl Who Played With Fire.
As the commenter pointed out--I said I hated Dragon Tattoo and yet I gave it a B+. Which startled me. I remember hating it, and I have absolutely blocked out why I would have given it a B+. Is grade inflation so prevalent that I would give such a good grade to a book I would warn people away from reading? I mean, not only can't I recommend it, but I can't even go with the relatively moderate "Give it a shot and tell me what you think of it."
No, I found Dragon Tattoo to be so overwrought, so offensive, and so stupid on so many levels that I feel it is my public duty to save people from picking it up. "You will never get those hours back again," I would tell anybody. "Well, I might recommend it, except for the fact that the main character is an idiot and a Mary Sue with an inexplicable success rate with women, and the fact that much of what passes for prose is actually shopping lists, and that the mystery solution is so obvious that you will guess the perp about five hundred pages before the hero does, and the fact that there is a disturbing amount of horrific torture and murder of women which is graphically detailed. . .Actually, there really IS no reason to read this book, and there is no explanation for why it has been so well reviewed."
And I thought I had been harsh when I told someone that another book "was not a complete waste of time." I think Dragon Tattoo is a complete waste of time.
Now, Dragon Tattoo is the subject of a thoughtful article about the state of book publishing: "Dead, brutalized women sell books." Apparently the received wisdom in the world of publishing is that people like to read about rape, torture and murder of women--so much so that even a book where the victim is male has a woman's (dead) body on the cover.
Obviously, this is disturbing. I, for one, do not like to read torture porn, and I read a lot of fiction. Yet somehow the sense at the end of the article is that rape and murder and mutilation of women is about all that is keeping book publishing solvent. That can't be true, can it? It was only about a year ago that we learned that women buy and read a substantial majority of fiction in the country, and really, how many of them would choose violence if they had a realistic choice?
I can believe that women like to read thrillers, or mysteries, and the ones that are being published are also increasingly violent--which they read because they are what is available. That makes sense to me. The Silence of the Lambs was incredibly gory, but it also had a psychologically complex relationship at its heart, and maybe the torture was something some readers waded through to get to the parts that interested them: the relationship between Clarice and Lecter.
Unfortunately, the lesson taken seems to be "Gore sells" and we get a rush of other books that have all the blood and none of the relationships. And we read those books, because they are reviewed as the best of what is now being published.
There is a debate about whether the Steig Larssen books are "feminist" because they contain a strong female heroine who fights against the bad guys who are murdering and raping other women. Does a kick-ass dame in a leading role redeem a novel from being torture porn? Does the use of fictive violence against women serve as evidence of cultural disapproval of such violence, or is it a way to make such violence marketable in a way that straight misogynistic horrors couldn't be sold?
When an author wrestles with horrors, the activity is fraught with risk. I mean, there is a justifcation for representing the problem one is condemning, at the very least so the reader knows just what the writer is against. The problem comes when the writer turns out to be better and writing about the problem than writing about the condemnation of the problem. And I think that is what happened in Dragon Tattoo. The prose about sexual mutiliation, dismemberment and torture was so much more lively and engaged than the rest of the book that I was left with the sensation of having been subjected to a creep show under false pretenses.
Maybe that's why I was so generous with my grading--after all, my sense was that Larssen enjoyed writing about the violence, and that enjoyment overwhelmed the "moral" of the book. However, I seemed to be in the minority, since so many reviewers had recommended the book, they must have experienced it as more balanced, less celebratory of violence against women than I did.
There is an old, hoary joke about the assassination of Abraham Lincoln during the performance of "Our American Cousin" at Ford's Theater. In it's entirety, the joke goes: "Other than that, Mrs. Lincoln, how did you like the play?" In the case of The Girl With the Dragon Tattoo, I find myself in Mrs. Lincoln's shoes--there is no way to consider the book "other than that."
As the commenter pointed out--I said I hated Dragon Tattoo and yet I gave it a B+. Which startled me. I remember hating it, and I have absolutely blocked out why I would have given it a B+. Is grade inflation so prevalent that I would give such a good grade to a book I would warn people away from reading? I mean, not only can't I recommend it, but I can't even go with the relatively moderate "Give it a shot and tell me what you think of it."
No, I found Dragon Tattoo to be so overwrought, so offensive, and so stupid on so many levels that I feel it is my public duty to save people from picking it up. "You will never get those hours back again," I would tell anybody. "Well, I might recommend it, except for the fact that the main character is an idiot and a Mary Sue with an inexplicable success rate with women, and the fact that much of what passes for prose is actually shopping lists, and that the mystery solution is so obvious that you will guess the perp about five hundred pages before the hero does, and the fact that there is a disturbing amount of horrific torture and murder of women which is graphically detailed. . .Actually, there really IS no reason to read this book, and there is no explanation for why it has been so well reviewed."
And I thought I had been harsh when I told someone that another book "was not a complete waste of time." I think Dragon Tattoo is a complete waste of time.
Now, Dragon Tattoo is the subject of a thoughtful article about the state of book publishing: "Dead, brutalized women sell books." Apparently the received wisdom in the world of publishing is that people like to read about rape, torture and murder of women--so much so that even a book where the victim is male has a woman's (dead) body on the cover.
Obviously, this is disturbing. I, for one, do not like to read torture porn, and I read a lot of fiction. Yet somehow the sense at the end of the article is that rape and murder and mutilation of women is about all that is keeping book publishing solvent. That can't be true, can it? It was only about a year ago that we learned that women buy and read a substantial majority of fiction in the country, and really, how many of them would choose violence if they had a realistic choice?
I can believe that women like to read thrillers, or mysteries, and the ones that are being published are also increasingly violent--which they read because they are what is available. That makes sense to me. The Silence of the Lambs was incredibly gory, but it also had a psychologically complex relationship at its heart, and maybe the torture was something some readers waded through to get to the parts that interested them: the relationship between Clarice and Lecter.
Unfortunately, the lesson taken seems to be "Gore sells" and we get a rush of other books that have all the blood and none of the relationships. And we read those books, because they are reviewed as the best of what is now being published.
There is a debate about whether the Steig Larssen books are "feminist" because they contain a strong female heroine who fights against the bad guys who are murdering and raping other women. Does a kick-ass dame in a leading role redeem a novel from being torture porn? Does the use of fictive violence against women serve as evidence of cultural disapproval of such violence, or is it a way to make such violence marketable in a way that straight misogynistic horrors couldn't be sold?
When an author wrestles with horrors, the activity is fraught with risk. I mean, there is a justifcation for representing the problem one is condemning, at the very least so the reader knows just what the writer is against. The problem comes when the writer turns out to be better and writing about the problem than writing about the condemnation of the problem. And I think that is what happened in Dragon Tattoo. The prose about sexual mutiliation, dismemberment and torture was so much more lively and engaged than the rest of the book that I was left with the sensation of having been subjected to a creep show under false pretenses.
Maybe that's why I was so generous with my grading--after all, my sense was that Larssen enjoyed writing about the violence, and that enjoyment overwhelmed the "moral" of the book. However, I seemed to be in the minority, since so many reviewers had recommended the book, they must have experienced it as more balanced, less celebratory of violence against women than I did.
There is an old, hoary joke about the assassination of Abraham Lincoln during the performance of "Our American Cousin" at Ford's Theater. In it's entirety, the joke goes: "Other than that, Mrs. Lincoln, how did you like the play?" In the case of The Girl With the Dragon Tattoo, I find myself in Mrs. Lincoln's shoes--there is no way to consider the book "other than that."
Something Lost--A Moment for Nostalgia
I was reading a "professional" blog by a friend of mine, about a "No TV on Sunday" rule and what the kids did instead. She writes about the newish "Nature Deficit Disorder," the idea that kids today are so overscheduled that they simply don't spend time outside.
God, parents have changed since I was a kid.
Did parents actually kick their kids out of the house back then, or am I manufacturing a memory? It seems like we spent a lot of time outside, especially during summer break--the door would open and we'd be outside for hours. I lived on a block that had a lot of kids, and we'd play games that ranged across half a block of back yards. From the bottom of the block to our back yard, there were kids in every house and we'd have to define the limits for hide and seek: "From here down to the Cowan's yard. Bobby's big tree is Home Base. No hiding in playhouses or garages or. . .okay, you can't hide inside."
Kid world was full of rituals that got passed on as new kids entered the neighborhood. My family moved onto the block when I was six, and we left the summer after I turned nine. In those years, only one other family moved in or out, so the pack of kids was pretty stable and large.
How to choose who is "It."
One kid was the tapper, and would decide "one shoe" or "two shoe." We'd sit in a circle with our feet in the middle, and the tapper would tap (0r pound) one shoe per syllable.
My mother and your mother were hanging up clothes.
My mother hit your mother in the nose.
What color was the blood?
The owner of the foot the tapper landed on would select a color. Speed was important, so favorite colors were often chosen. For some reason, we never tried to stump the tapper with hard to spell colors, which would only have increased the randomness factor anyway.
B-l-u-e spells blue and you are Not It.
Two shoes was harder to game--you couldn't immediately tell if "blue" or "orange" would end up back on your own foot, thus freeing you from being It. But it took so much longer. Or maybe the tapper would just use the shorter, non-interactive chants.
Ink-a-bink, a bottle of ink
The cork fell out and you stink
Not because you're dirty
Not because you're clean
But because you kissed a la-dy
Behind a magazine.
Another advantage to the Two Shoe Tap was that by the time you were finished, all the available kids were usually present. Otherwise, one might show up in the middle of a Hide and Seek round, and of course you had to start a new one. New Kid was always It, which means the previous It would have to all in all the hiders.
Ollie, ollie income free/New Comer!
This sucked if you had a really great hiding place, unless you could sneak around and emerge o from somewhere else, in order to keep your hiding location secret. The New Comer had a to lean against the tree, cover his/her eyes and count. "A hundred fast, or fifty slow." I always counted to a hundred as fast as I could, using my fingers to keep track of ten batches of ten.
Of course, hiders didn't just wait to be found. Their goal was to get to Home Base before they were tagged by It. So the hiding place had to be one where you could keep an eye on It in order to make a break for safety, preferably while It was not between you and Home Base.
While I lived there, we had to create a rule to prevent Its from loitering around Home Base, just waiting to catch the dumb or unlucky. So a mandatory "run around the house" was instituted, although you could strategically run only half-way around and double back to catch the incoming hiders who might have expected you to be on the other side of the house.
When a hider made a break for Home, It could either tag the hider, or call out hider's name and then try to tag Home first. Once the first hider was tagged, the rest of the hiders tended to burst out all at once--because we saw we were safe from being It, or because we were so far away we only saw the other hiders coming out of hiding.
Kid game rules were intricate and strictly observed and enforced. Cheaters who counted to fifty fast, or who didn't run all the way around the house were not allowed to play, which was a harsh sentence, since there were never any other kids around--we were all of us hiding and seeking. Cheaters were lonely outcasts, leading a bleak ex-patriot life of isolation. It was better to fail to catch any hiders and be It twice in a row than to suffer the stigma of being a Cheater.
Games like this tended to fall apart around 6 p.m., as the voices of mothers lifted across the air. "Susie! Kristin! Supper!" "Dinner-time!" The voices of the mothers were pitched high and lilted from yard to yard. Each mother had her own tune and syncopation, so even if you couldn't distinguish the words, you recognized the source. One father, over on another street, had a whistle like a Morse code: short short short long, all the same pitch, that you could hear for blocks. Except for him, the callers were all mothers. Fathers only got involved if you didn't turn up fast enough, and that was the International Symbol for "Oh jeez, are YOU in trouble."
My kids have never had this kind of freedom. Almost all the yards on our block are fenced in, so there is no way to roam up and down the block like we used to. The world has changed as well, and the mothers work away from home now too, so neighborhoods are pretty dead during the day time.
When my parents bought their house, they went into the back yard and counted the swingsets in the back yards to confirm the high percentage of kids available. On the block my kids have grown up on, there was only one other swingset. Currently, there is only one other family with kids at home--we have two lovely gay couples, four houses where the kids are out of high school or even out of graduate school, two apartment buildings and two triplex rental units. The neighbors are all lovely and the diversity is wonderful.
Still, I miss my experience of a tribe of neighborhood kids on my own kids' behalf.
God, parents have changed since I was a kid.
Did parents actually kick their kids out of the house back then, or am I manufacturing a memory? It seems like we spent a lot of time outside, especially during summer break--the door would open and we'd be outside for hours. I lived on a block that had a lot of kids, and we'd play games that ranged across half a block of back yards. From the bottom of the block to our back yard, there were kids in every house and we'd have to define the limits for hide and seek: "From here down to the Cowan's yard. Bobby's big tree is Home Base. No hiding in playhouses or garages or. . .okay, you can't hide inside."
Kid world was full of rituals that got passed on as new kids entered the neighborhood. My family moved onto the block when I was six, and we left the summer after I turned nine. In those years, only one other family moved in or out, so the pack of kids was pretty stable and large.
How to choose who is "It."
One kid was the tapper, and would decide "one shoe" or "two shoe." We'd sit in a circle with our feet in the middle, and the tapper would tap (0r pound) one shoe per syllable.
My mother and your mother were hanging up clothes.
My mother hit your mother in the nose.
What color was the blood?
The owner of the foot the tapper landed on would select a color. Speed was important, so favorite colors were often chosen. For some reason, we never tried to stump the tapper with hard to spell colors, which would only have increased the randomness factor anyway.
B-l-u-e spells blue and you are Not It.
Two shoes was harder to game--you couldn't immediately tell if "blue" or "orange" would end up back on your own foot, thus freeing you from being It. But it took so much longer. Or maybe the tapper would just use the shorter, non-interactive chants.
Ink-a-bink, a bottle of ink
The cork fell out and you stink
Not because you're dirty
Not because you're clean
But because you kissed a la-dy
Behind a magazine.
Another advantage to the Two Shoe Tap was that by the time you were finished, all the available kids were usually present. Otherwise, one might show up in the middle of a Hide and Seek round, and of course you had to start a new one. New Kid was always It, which means the previous It would have to all in all the hiders.
Ollie, ollie income free/New Comer!
This sucked if you had a really great hiding place, unless you could sneak around and emerge o from somewhere else, in order to keep your hiding location secret. The New Comer had a to lean against the tree, cover his/her eyes and count. "A hundred fast, or fifty slow." I always counted to a hundred as fast as I could, using my fingers to keep track of ten batches of ten.
Of course, hiders didn't just wait to be found. Their goal was to get to Home Base before they were tagged by It. So the hiding place had to be one where you could keep an eye on It in order to make a break for safety, preferably while It was not between you and Home Base.
While I lived there, we had to create a rule to prevent Its from loitering around Home Base, just waiting to catch the dumb or unlucky. So a mandatory "run around the house" was instituted, although you could strategically run only half-way around and double back to catch the incoming hiders who might have expected you to be on the other side of the house.
When a hider made a break for Home, It could either tag the hider, or call out hider's name and then try to tag Home first. Once the first hider was tagged, the rest of the hiders tended to burst out all at once--because we saw we were safe from being It, or because we were so far away we only saw the other hiders coming out of hiding.
Kid game rules were intricate and strictly observed and enforced. Cheaters who counted to fifty fast, or who didn't run all the way around the house were not allowed to play, which was a harsh sentence, since there were never any other kids around--we were all of us hiding and seeking. Cheaters were lonely outcasts, leading a bleak ex-patriot life of isolation. It was better to fail to catch any hiders and be It twice in a row than to suffer the stigma of being a Cheater.
Games like this tended to fall apart around 6 p.m., as the voices of mothers lifted across the air. "Susie! Kristin! Supper!" "Dinner-time!" The voices of the mothers were pitched high and lilted from yard to yard. Each mother had her own tune and syncopation, so even if you couldn't distinguish the words, you recognized the source. One father, over on another street, had a whistle like a Morse code: short short short long, all the same pitch, that you could hear for blocks. Except for him, the callers were all mothers. Fathers only got involved if you didn't turn up fast enough, and that was the International Symbol for "Oh jeez, are YOU in trouble."
My kids have never had this kind of freedom. Almost all the yards on our block are fenced in, so there is no way to roam up and down the block like we used to. The world has changed as well, and the mothers work away from home now too, so neighborhoods are pretty dead during the day time.
When my parents bought their house, they went into the back yard and counted the swingsets in the back yards to confirm the high percentage of kids available. On the block my kids have grown up on, there was only one other swingset. Currently, there is only one other family with kids at home--we have two lovely gay couples, four houses where the kids are out of high school or even out of graduate school, two apartment buildings and two triplex rental units. The neighbors are all lovely and the diversity is wonderful.
Still, I miss my experience of a tribe of neighborhood kids on my own kids' behalf.
Monday, November 30, 2009
The Rock and Roll Hall of Fame 25th Anniversary Concert--in Pretend Real Time
Oh boy, tonight HBO is airing the R&R Hall of Fame concert that took place last month. Live blogging begins!
Except it doesn't, because it's Monday morning, and the concert aired last night. But we can play "Let's Pretend" anyway.
7:12 p.m. Pulled up in front of the house after driving back from Thanksgiving in Kansas. The trunk has been unloaded and now it's time to unpack. R&RHOF concert starts on HBO at 8.
7:30 p.m. I've unpacked my suitcase, returned toiletries to their usual location, sorted laundry into baskets.
7:34 p.m. On the internet, checking email. Checking with family--does a day spent in the car with lunch at 2:30 mean never having to say you are hungry?
7:53 p.m. Back upstairs to turn on the TV and hang up the remaining pieces of unpacked clothing.
7:53:30 p.m. Dammit! How old do I have to be to remember that when HBO says something starts at 8, that means EST, not CST! The concert has already started, and a strangely hairy Sting is singing with Stevie Wonder.

7:53:40 p.m. Capt. Sweetie has arrived as well. "Superstition" remains a really great song. Stevie Wonder remains blind.
8:xx p.m. Okay, this live-blogging conceit is out the window, because I have no idea what time anything is happening. A strangely elderly and thin haired Paul Simon walks onstage. I have PTSD flashbacks to FIL turning on a Pat Boone special on Public Television. Is Paul Simon older than Pat Boone? He kind of looks like it.

Paul Simon at the R&R HOF concert.

Pat Boone, who was NOT at the R&R HOF Concert.
8:xx:27 p.m. According to the Internet, Pat Boone is a mere 7 years older than Paul Simon, while Paul Simon's wife, Edie Brickell, is 25 years younger than Art Garfunkel. If they leave on a train from Chicago traveling east at 87 m.p.h., will the signs of the prophets still be written on the subway walls?
8:whatever p.m. Art Garfunkel looks like an elderly clown, but he still has a wonderful voice.

8:diva o'clock. Stand back. That's Aretha!

8:diva o'clock:03. No. Really. Stand back. 'Retha is a big woman in red, which is not slimming. She still rocks the syncopation like nobody else.
8:2 divas o'clock. Annie Lennox is not HIV positive, but she wears a shirt saying she is on TV. This activism is confusing me.

8:xx p.m. Metallica comes onstage behind the notation "Inducted 2009." I have zero interest in Metallica, and now everybody is hungry. I go to call for pizza as Lou Reed comes on to do "Sweet Jane." Brilliant.

Pizza o'clock. Capt. Sweetie comes down to report that Ozzy Osbourne has just said "fuck" precisely elventy-seven times during two songs. Then ended his appearance by blowing kisses to the audience and calling "God bless you." We start drinking.

Pizza arrives as U2 is announced. Much fan boy/girl squee-ing from the alleged adults in the house. The teen-agers suffer the nerdiness in order to get fed.
Quarter past Bono. Springsteen and Patti Smith appear to do "Because the Night." Everybody chez Evil pronounces it "BE-cause" which sounds stupid. Patti has some trouble with the song, but the whiskey voice is still there.

Is that Bruce Springsteen or John de Lancie (known around these parts as "Q" from Star Trek TNG)? You be the judge.


Still Haven't Found What I'm Looking For/Promised Land. More brilliance.
Mick Jagger and Fergie rip into "Gimme Shelter" and do the unimaginable--Bono steps away from the microphone and gets out of their way.

I didn't know Fergie had the chops to take on Jagger, but the two of them are FIERCE.

Hip for hip, lip for lip, these two are well matched. Possibly the best moment of the show. Jagger then refers to U2 as the "house band" and Bono confronts the reality that U2 should be playing "weddings, bar mitzvahs. . ."
Mom o'clock. Kid needs help with math, so I turn off the TV and dredge up geometry facts that are older than the Rock and Roll Hall of Fame. Thank gods HBO does re-runs.
Except it doesn't, because it's Monday morning, and the concert aired last night. But we can play "Let's Pretend" anyway.
7:12 p.m. Pulled up in front of the house after driving back from Thanksgiving in Kansas. The trunk has been unloaded and now it's time to unpack. R&RHOF concert starts on HBO at 8.
7:30 p.m. I've unpacked my suitcase, returned toiletries to their usual location, sorted laundry into baskets.
7:34 p.m. On the internet, checking email. Checking with family--does a day spent in the car with lunch at 2:30 mean never having to say you are hungry?
7:53 p.m. Back upstairs to turn on the TV and hang up the remaining pieces of unpacked clothing.
7:53:30 p.m. Dammit! How old do I have to be to remember that when HBO says something starts at 8, that means EST, not CST! The concert has already started, and a strangely hairy Sting is singing with Stevie Wonder.

7:53:40 p.m. Capt. Sweetie has arrived as well. "Superstition" remains a really great song. Stevie Wonder remains blind.
8:xx p.m. Okay, this live-blogging conceit is out the window, because I have no idea what time anything is happening. A strangely elderly and thin haired Paul Simon walks onstage. I have PTSD flashbacks to FIL turning on a Pat Boone special on Public Television. Is Paul Simon older than Pat Boone? He kind of looks like it.

Paul Simon at the R&R HOF concert.

Pat Boone, who was NOT at the R&R HOF Concert.
8:xx:27 p.m. According to the Internet, Pat Boone is a mere 7 years older than Paul Simon, while Paul Simon's wife, Edie Brickell, is 25 years younger than Art Garfunkel. If they leave on a train from Chicago traveling east at 87 m.p.h., will the signs of the prophets still be written on the subway walls?
8:whatever p.m. Art Garfunkel looks like an elderly clown, but he still has a wonderful voice.

8:diva o'clock. Stand back. That's Aretha!

8:diva o'clock:03. No. Really. Stand back. 'Retha is a big woman in red, which is not slimming. She still rocks the syncopation like nobody else.
8:2 divas o'clock. Annie Lennox is not HIV positive, but she wears a shirt saying she is on TV. This activism is confusing me.

8:xx p.m. Metallica comes onstage behind the notation "Inducted 2009." I have zero interest in Metallica, and now everybody is hungry. I go to call for pizza as Lou Reed comes on to do "Sweet Jane." Brilliant.

Pizza o'clock. Capt. Sweetie comes down to report that Ozzy Osbourne has just said "fuck" precisely elventy-seven times during two songs. Then ended his appearance by blowing kisses to the audience and calling "God bless you." We start drinking.

Pizza arrives as U2 is announced. Much fan boy/girl squee-ing from the alleged adults in the house. The teen-agers suffer the nerdiness in order to get fed.
Quarter past Bono. Springsteen and Patti Smith appear to do "Because the Night." Everybody chez Evil pronounces it "BE-cause" which sounds stupid. Patti has some trouble with the song, but the whiskey voice is still there.

Is that Bruce Springsteen or John de Lancie (known around these parts as "Q" from Star Trek TNG)? You be the judge.


Still Haven't Found What I'm Looking For/Promised Land. More brilliance.
Mick Jagger and Fergie rip into "Gimme Shelter" and do the unimaginable--Bono steps away from the microphone and gets out of their way.

I didn't know Fergie had the chops to take on Jagger, but the two of them are FIERCE.

Hip for hip, lip for lip, these two are well matched. Possibly the best moment of the show. Jagger then refers to U2 as the "house band" and Bono confronts the reality that U2 should be playing "weddings, bar mitzvahs. . ."
Mom o'clock. Kid needs help with math, so I turn off the TV and dredge up geometry facts that are older than the Rock and Roll Hall of Fame. Thank gods HBO does re-runs.
Monday, November 09, 2009
VMI--Valuable Medical Advice
I am not a doctor, and I read this on a web site so it must be true.
Right?
Right?
Bad flu epidemics can hit young adults hardest because they provoke their powerful immune systems into overreaction, so to stay healthy spend the next few weeks drunk and sleep-deprived to keep yours depressed.
Thanks to XKCD from Salon.com Table Talk
Friday, November 06, 2009
Designer Dogs You'll Never See
It's official. The era of Designer Dogs is upon us. What used to be called "mutts," "mongrels" or "hole in the fence" dogs are now being bred on purpose and offered to the public. The hegemony of the AKC prevents these mixes from being labeled "breeds," hence the market friendly term "Designer Dogs."
Personally, I blame the Doodles. Poodles crossed, intentionally or not, with Labrador Retrievers and somebody with advanced PR instincts named it a "Labradoodle." Which is a charming name, fun to say, and converts a tough sell into a desirable acquisition. Go down to your local shelter, and notice all the lab mixes filling the kennels. Lab mixes are big dogs, with hunting instincts and a need for a lot of exercises. Contrast that with a "Labradoodle," which sounds like a cuddly indoor pet that would be fun to have around.
So why not a "Golden Doodle?" That would be a Golden Retriever/Poodle cross that riffs on the Labradoodle name while not having any etymological claim to that extra "D." Should logically be a "Golden Roodle," which is not nearly as successful of a name.
These may be good dogs. These may, in fact, be great dogs, but the concept has run riot. There is an American Canine Hybrid Club, with official cross breeds. A sampling:
pSeriously? I mean, SERIOUSLY? "Chin-fenpinscher?" "Rottaf?" "BOXITA?" Apparently, the name is assigned when a breeder registers a cross and proposes a name. It occurs to me there are several crosses you are never going to see. I hereby propose the following:
Shih Tzu x American Bulldog Bull Shih
Maltese x Cocker Spaniel Cocktese
Hey! They're easy to remember!
Personally, I blame the Doodles. Poodles crossed, intentionally or not, with Labrador Retrievers and somebody with advanced PR instincts named it a "Labradoodle." Which is a charming name, fun to say, and converts a tough sell into a desirable acquisition. Go down to your local shelter, and notice all the lab mixes filling the kennels. Lab mixes are big dogs, with hunting instincts and a need for a lot of exercises. Contrast that with a "Labradoodle," which sounds like a cuddly indoor pet that would be fun to have around.
So why not a "Golden Doodle?" That would be a Golden Retriever/Poodle cross that riffs on the Labradoodle name while not having any etymological claim to that extra "D." Should logically be a "Golden Roodle," which is not nearly as successful of a name.
These may be good dogs. These may, in fact, be great dogs, but the concept has run riot. There is an American Canine Hybrid Club, with official cross breeds. A sampling:
| Affenpinscher x Bichon Frise | Affenchon |
| Affenpinscher x Chihuahua | Affenhuahua |
| Affenpinscher x Japanese Chin | Chin-Fenpinscher |
| Affenpinscher x Poodle cross | Affenpoo |
| Afghan Hound x Rottweiler | Rottaf |
| Airedale x Labrador Retriever | Lab'Aire |
| Airedale x Poodle | Airedoodle |
| Akita x Boxer | Boxita |
pSeriously? I mean, SERIOUSLY? "Chin-fenpinscher?" "Rottaf?" "BOXITA?" Apparently, the name is assigned when a breeder registers a cross and proposes a name. It occurs to me there are several crosses you are never going to see. I hereby propose the following:
Shih Tzu x American Bulldog Bull Shih
Maltese x Cocker Spaniel Cocktese
Hey! They're easy to remember!
Thursday, November 05, 2009
Things That Make Me Laugh
From Salon.com's community forum, Table Talk. Participants often include tag lines with their identities, and they are like Tweets--short, snappy, and mysterious due to their lack of context.
I actually laughed out loud at a couple of them.
Simone: To which I respond with my first and most persuasive point, which is to say, SHUT UP, YOU. Followed by my second argument in opposition to this plan, which is, I DON'T WANNA. As you now see, my position is unassailable.
Kady G: Today I scrubbed my bathroom, it now smells like lavender Pine-Sol and the death of feminism.
Wonder what mine would be?
I actually laughed out loud at a couple of them.
Simone: To which I respond with my first and most persuasive point, which is to say, SHUT UP, YOU. Followed by my second argument in opposition to this plan, which is, I DON'T WANNA. As you now see, my position is unassailable.
Kady G: Today I scrubbed my bathroom, it now smells like lavender Pine-Sol and the death of feminism.
Wonder what mine would be?
Tuesday, November 03, 2009
Belated Halloween
The camera was removed before I could download the photos, so I'm late posting Halloween, but check out this Gruesome Twosome:

It's Mad Doctor Wednesday Addams and her assistant Igor. If you were out for your very very first trick-or-treat, would you accept candy from these folks?
That's what I thought.
It's Mad Doctor Wednesday Addams and her assistant Igor. If you were out for your very very first trick-or-treat, would you accept candy from these folks?
That's what I thought.
Monday, November 02, 2009
All Hail the Green Goddess!

Because five carloads of leaves went to the compost site.
Because leaves three inches deep are not beneficial to expensive new sod.
Because an 80 year old maple tree can dump a LOT of leaves while still looking completely leafed.
Because even after being sick with flu the previous two days I did it all.
Offerings cheerfully accepted.
Sunday, November 01, 2009
NaBloPoMo--The Return

The challenge--post at least daily through the month of November.
The reward--bragging rights.
It's NAtional BLOg POsting MOnth: for those of us who know NaNoWriMo is beyond us.
Official site is here.
Monday, October 26, 2009
Raising Them Right!
As a member of a Particular Demographic--"SPA mom," for short--I find that everywhere I go, there are A LOT of cars like mine.
Prii. (The plural of "Prius.")

Yes, we over-educated, stay at home or under-employed, socially leftie moms drive a lot of hybrid cars. With kids in middle and upper school, there are now more Prii at drop off and pick up than there are minivans.

And as a fairly new model, there are not that many different colors for Prii, and most of us took what was available anyway. So there are a large number of silver or white Prii that show up at the front of the school around 3 p.m. I actually had someone who was Not My Kid try to get into my car, convinced that my car was actually his mother's car. Embarrassment was mitigated by the fact that the door was locked so he didn't actually drop into the passenger seat.
I have gotten phone calls from my kids to check if I was picking them up, since a similar looking car had driven away and they were concerned they were being left behind. Considering I have had my car for slightly more than a year, this is a pretty high incidence of Auto-confusion.
So I asked Sursels about it. "I'm thinking," I said, "of what I could do to make my car easier to recognize, so it doesn't look like all the other Prii in the pick up line."

She didn't even hesitate. I barely had the sentence out of my mouth when she had the answer.
"BeDazzle it."
And she didn't even know about these:

Looks like a predilection for sparkly things might just be genetic after all.
___________________________________________________
APPENDIX:
For your edification and amusement--some "bedazzled cars" I found online.
My personal favorite--a jeweled Mercedes:


Prii. (The plural of "Prius.")

Yes, we over-educated, stay at home or under-employed, socially leftie moms drive a lot of hybrid cars. With kids in middle and upper school, there are now more Prii at drop off and pick up than there are minivans.

And as a fairly new model, there are not that many different colors for Prii, and most of us took what was available anyway. So there are a large number of silver or white Prii that show up at the front of the school around 3 p.m. I actually had someone who was Not My Kid try to get into my car, convinced that my car was actually his mother's car. Embarrassment was mitigated by the fact that the door was locked so he didn't actually drop into the passenger seat.
I have gotten phone calls from my kids to check if I was picking them up, since a similar looking car had driven away and they were concerned they were being left behind. Considering I have had my car for slightly more than a year, this is a pretty high incidence of Auto-confusion.
So I asked Sursels about it. "I'm thinking," I said, "of what I could do to make my car easier to recognize, so it doesn't look like all the other Prii in the pick up line."

She didn't even hesitate. I barely had the sentence out of my mouth when she had the answer.
"BeDazzle it."
And she didn't even know about these:

Looks like a predilection for sparkly things might just be genetic after all.
___________________________________________________
APPENDIX:
For your edification and amusement--some "bedazzled cars" I found online.
My personal favorite--a jeweled Mercedes:

Saturday, October 24, 2009
If You Love It So Much, Why Don't You Marry It?
Because while it is nearly normal to carry a deep and heartfelt passion for fictional characters, one cannot actually marry a television show.
Yup. Still talking about Glee.

I had an Facebook message exchange with my sister, the Fabulous Suefunky, and suddenly some of my favorite lines started coming out of my fingers and into my message. ANd the more I typed, the more fabulous lines came zooming out of my cerebral cortex to plaster themselves onto my computer screen. Tell me you can read these lines and not laugh, and I'll accuse you of lying to me, or having absolutely no sense of humor.
Or possibly, that you have no idea what Glee is and so you are more to be pitied than condemned.
"I had a terrible case of athlete's foot a couple of years ago, and had all my toenails removed, so if she steps on my foot. . ."
"If I even speak to one of them, she will Shave. My. Head. And I can NOT rock that look."
"Look, I know how particular you are about what products you use on your face."
"Get me to a day spa. STAT!"
"He looks like an eleven year old milk maid."
"Moisturizing is an important part of my post game ritual."
Coach: Make this, and you will die a legend.
Kurt: (nods) Can I pee first?
Will Scheuster: I will kill you.
Sue Sylvester: I am about to vomit down your back.
Will: You promised you'd stay sober.
April: Yeah, well, but I was drunk when I made that promise, so you can't hold me to it.
"I think those vaccinations are what made my kids STUPID."
"My husband does the taxes for several mid-sized law firms in this town. . . ."
And you know there will only be more great lines as the season progresses. GO GLEEKS!
Yup. Still talking about Glee.

I had an Facebook message exchange with my sister, the Fabulous Suefunky, and suddenly some of my favorite lines started coming out of my fingers and into my message. ANd the more I typed, the more fabulous lines came zooming out of my cerebral cortex to plaster themselves onto my computer screen. Tell me you can read these lines and not laugh, and I'll accuse you of lying to me, or having absolutely no sense of humor.
Or possibly, that you have no idea what Glee is and so you are more to be pitied than condemned.
"I had a terrible case of athlete's foot a couple of years ago, and had all my toenails removed, so if she steps on my foot. . ."
"If I even speak to one of them, she will Shave. My. Head. And I can NOT rock that look."
"Look, I know how particular you are about what products you use on your face."
"Get me to a day spa. STAT!"
"He looks like an eleven year old milk maid."
"Moisturizing is an important part of my post game ritual."
Coach: Make this, and you will die a legend.
Kurt: (nods) Can I pee first?
Will Scheuster: I will kill you.
Sue Sylvester: I am about to vomit down your back.
Will: You promised you'd stay sober.
April: Yeah, well, but I was drunk when I made that promise, so you can't hold me to it.
"I think those vaccinations are what made my kids STUPID."
"My husband does the taxes for several mid-sized law firms in this town. . . ."
And you know there will only be more great lines as the season progresses. GO GLEEKS!
Wednesday, October 21, 2009
This One Is For The Gleeks
I don't watch TV much--usually too busy on the computer. But I am making an exception for Wednesdays at 8 on Fox:
Glee.
Yes, I was a nerd in high school, but my high school choir director did not like me at all. I never did know why. So this was not my particular brand, but if it had existed, I would totally have been here.
And not just because Mr. Schuester is way cute.
Glee.
Yes, I was a nerd in high school, but my high school choir director did not like me at all. I never did know why. So this was not my particular brand, but if it had existed, I would totally have been here.
And not just because Mr. Schuester is way cute.
Wednesday, October 14, 2009
It's THAT Time of Year Again
Phone:
Me: Checking Caller ID, seeing "Private Caller:" Hmmmm. Maybe it's my friend, the public defender, calling to have me pick up her daughter after school.
Picking up phone: Hello?
Voice: Hello, this is XYZ Inc., and we are conducting a brief survey. If the election for school board were held today, would you be more likely to vote for Pat Jones or Chris Smith?
Me: I don't care, my kids are in private school: I don't know.
Voice: If you knew that Chris Smith sent his/her/its children to private school miles away, would you be less likely to vote for him/her/it?
Me: WTF? Ummm. No.
Voice: If the election for mayor were held today, would you vote for Female Unknown Candidate, or Current Incumbent?
Me: That's easy--current incumbent is a long time friend of ours, so even my Republican husband has agreed to a DFL sign in our yard: Current [DFL] Incumbent.
Voice: If you knew that Current Incumbent had raised your property taxes every year he has been in office, up 38%, would that make you less likely to vote for him?
Me: spotting the political bias at last: No.
Voice: Thank you. This survey has been paid for by the Republican Party and not by any individual candidate.
Me: Oh, reallllllllllly?
Me: Checking Caller ID, seeing "Private Caller:" Hmmmm. Maybe it's my friend, the public defender, calling to have me pick up her daughter after school.
Picking up phone: Hello?
Voice: Hello, this is XYZ Inc., and we are conducting a brief survey. If the election for school board were held today, would you be more likely to vote for Pat Jones or Chris Smith?
Me: I don't care, my kids are in private school: I don't know.
Voice: If you knew that Chris Smith sent his/her/its children to private school miles away, would you be less likely to vote for him/her/it?
Me: WTF? Ummm. No.
Voice: If the election for mayor were held today, would you vote for Female Unknown Candidate, or Current Incumbent?
Me: That's easy--current incumbent is a long time friend of ours, so even my Republican husband has agreed to a DFL sign in our yard: Current [DFL] Incumbent.
Voice: If you knew that Current Incumbent had raised your property taxes every year he has been in office, up 38%, would that make you less likely to vote for him?
Me: spotting the political bias at last: No.
Voice: Thank you. This survey has been paid for by the Republican Party and not by any individual candidate.
Me: Oh, reallllllllllly?
Friday, October 09, 2009
Crazy Old Dog Lady
I have seen my future, and it is fuzzy.
That is, it is filled with fuzzy little dogs.
Not just that I have the World's Cutest Fuzzy Dog at home. Not just that I even considered bringing him with me to the car dealership to get my oil changed. (FYI--I didn't. He'd be too bored.)
No, it's that another woman brought her little puppy into the waiting room at the dealership, and I had to go meet him. He was a 7 month old shih tzu/Maltese mix, black and white, and a sweet little guy.

Not the actual dog, but a Maltese/Shih Tzu mix I found online. And also found ADORABLE!
Plus, his owner informed me, she had a second puppy, a "Cavachon" (pronounced to sound remarkably like "cabochon") which is a King Charles Cavalier/bichon frise mix as well. That puppy is getting neutered, and is 4 months old.

A Cavachon I found online. How can you resist those eyes?
And I realize that the only flaw my current dog has is that he is just too big to stick into a pocket or a purse and take everywhere. And that at some point in my life, as my brain starts to go, I'm going to start forgetting that I already have enough dog in my life, and start picking up additional puppies. Because, really, how can you resist puppies? And adult small dogs have the advantage of looking like puppies their whole lives.

Another Cavachon--obviously, I like my dogs fuzzy.
So after my kids have established their own lives, and after I lose my few remaining marbles, I fully expect to wake up one morning and find that I have been pushed out of my own bed by all the little dogs I have managed to acquire.
I only hope that Capt. Sweetie won't mind sleeping on his boat.
That is, it is filled with fuzzy little dogs.
Not just that I have the World's Cutest Fuzzy Dog at home. Not just that I even considered bringing him with me to the car dealership to get my oil changed. (FYI--I didn't. He'd be too bored.)
No, it's that another woman brought her little puppy into the waiting room at the dealership, and I had to go meet him. He was a 7 month old shih tzu/Maltese mix, black and white, and a sweet little guy.
Not the actual dog, but a Maltese/Shih Tzu mix I found online. And also found ADORABLE!
Plus, his owner informed me, she had a second puppy, a "Cavachon" (pronounced to sound remarkably like "cabochon") which is a King Charles Cavalier/bichon frise mix as well. That puppy is getting neutered, and is 4 months old.

A Cavachon I found online. How can you resist those eyes?
And I realize that the only flaw my current dog has is that he is just too big to stick into a pocket or a purse and take everywhere. And that at some point in my life, as my brain starts to go, I'm going to start forgetting that I already have enough dog in my life, and start picking up additional puppies. Because, really, how can you resist puppies? And adult small dogs have the advantage of looking like puppies their whole lives.
Another Cavachon--obviously, I like my dogs fuzzy.
So after my kids have established their own lives, and after I lose my few remaining marbles, I fully expect to wake up one morning and find that I have been pushed out of my own bed by all the little dogs I have managed to acquire.
I only hope that Capt. Sweetie won't mind sleeping on his boat.
Thursday, September 24, 2009
Gardening with a Straight Edge
We had a lot of landscaping done this summer--the kind of thing that were beyond even the amazing DIY prowess of Cpt. Sweetie. We had three guys full time in our yard for a month, and for the first three weeks they didn't make a MOVE without a level in their hands.
They built us walkways, they built us steps. They built a patio and a bluestone planter/wall. They brought in 7 foot tall trees and planted them for us. They ripped up the lawn (a word which here means "mostly creeping charlie and a lot of weeds") and laid sod.
Then they went away.
Not that the landscaping was finished, mind you. Far from it. However, what was left was the sort of thing that even someone with limited DIY skills ( which would be me) could take over. Planting perennials and small shrubs? Mulching? Things that take more muscle than brains? That's my portfolio!
Of course, we have a scale plan for the yard, with plants spec'd by species and number and color, and so all I have to do is buy the plants, locate them according to the plan, and then plant them. One of the first I did was a ring of three cranberry cotoneaster shrubs.

Pretty, isn't it.
Since this was the first thing I was planting, I was obsessive about the placement. I took measurements from the plan, and replicated them in the yard. I took yard measurements and checked them against the plan. I lined up plants (still in their pots) and tweaked the design so that it looked good, then checked them against the plan. Only after I was satisfied that I had honored the balance of the original plan, while also controlling for the variations on the ground, did I plant those three bushes.
The digging and planting took about 20 minutes--the lining up and double checking beforehand took a good hour.
So it was with pride I showed Cpt. Sweetie the gorgeous new shrubs in our garden, regaling him with tales of all the care I had put into placing them precisely as the plan demanded.
He looked at me with that loving expression--the one that makes me feel like I won the Husband Jackpot: a mix of love, pride, humor--and said, "You did an excellent job. Except, the cotoneaster don't go there."
Ack! He was right, of course. All that measuring and placing, and I had failed to notice that the plan called for a completely different plant there.

Citrus swizzle forsythia, which looks nothing at all like cotoneaster.
Oh. Nevermind.
They built us walkways, they built us steps. They built a patio and a bluestone planter/wall. They brought in 7 foot tall trees and planted them for us. They ripped up the lawn (a word which here means "mostly creeping charlie and a lot of weeds") and laid sod.
Then they went away.
Not that the landscaping was finished, mind you. Far from it. However, what was left was the sort of thing that even someone with limited DIY skills ( which would be me) could take over. Planting perennials and small shrubs? Mulching? Things that take more muscle than brains? That's my portfolio!
Of course, we have a scale plan for the yard, with plants spec'd by species and number and color, and so all I have to do is buy the plants, locate them according to the plan, and then plant them. One of the first I did was a ring of three cranberry cotoneaster shrubs.

Pretty, isn't it.
Since this was the first thing I was planting, I was obsessive about the placement. I took measurements from the plan, and replicated them in the yard. I took yard measurements and checked them against the plan. I lined up plants (still in their pots) and tweaked the design so that it looked good, then checked them against the plan. Only after I was satisfied that I had honored the balance of the original plan, while also controlling for the variations on the ground, did I plant those three bushes.
The digging and planting took about 20 minutes--the lining up and double checking beforehand took a good hour.
So it was with pride I showed Cpt. Sweetie the gorgeous new shrubs in our garden, regaling him with tales of all the care I had put into placing them precisely as the plan demanded.
He looked at me with that loving expression--the one that makes me feel like I won the Husband Jackpot: a mix of love, pride, humor--and said, "You did an excellent job. Except, the cotoneaster don't go there."
Ack! He was right, of course. All that measuring and placing, and I had failed to notice that the plan called for a completely different plant there.
Citrus swizzle forsythia, which looks nothing at all like cotoneaster.
Oh. Nevermind.
Tuesday, September 15, 2009
And We Still Haven't Found What We're Looking For

Interesting responses to my last post about the disappointing seats at the U2 concert at Soldier Stadium. I was not the only one who had no warning about the terrible conditions when charged top dollar for those seats. Go ahead and Google "U2+ Chicago+overhang" and there are more than a few people disgusted by the conditions of their seats.
While it is certainly fashionable to bash Ticketmaster, it surprises me that there is such a sense of resignation about the hit-or-miss quality of a concert experience. Sure, if you get general admission tickets, you might end up in a less that fabulous location, but you know that going in--arguably it's part of the experience, like buying a lottery ticket. "I might end up a long way away, but I might end up right up by the stage!" There is also an element of control to the GA experience--people queue up hours ahead of the concert to improve their chances of a decent location.

I found this photo someone had taken from inside the ellipse. Now THAT'S what I'm talking about.
On the other hand, some of us are too busy, too old, or just too damn cranky to take those kind of chances, so we buy expensive seats. We pay the premium to have a specific place to sit, to have less access to the band, but better sight lines. It's a trade-off, of course, but one that has certain benefits that are worth the extra cost.

So when it turns out that the expensive seats cut off all the views of the lights and video screens, as well as cut out all but the faintest sounds of Bono's voice and Edge's guitar, then those seats are not as advertised. Hell, the beer vendors walking up and down the aisles had a better concert experience than was available from my $250 seat.

Imagine what it takes to cut off this screen from only 17 rows back. Yup--it was bad.
But where is the remedy? I mean, think about it. If you go to a movie, and the sound drops out or the film breaks, hey! You go talk to the manager, and they give you free passes to the theater. You have a bad theater experience, and hey! The ticket office refunds your money or they find you different seats. And both of these entertainment venues are operating on far smaller margins than Ticketmaster is.
Last July we went to see a play at the Globe Theater in London. The Globe sells its tickets directly, which means that it has to do all the ticket printing/box office staffing etc. on its own dime. It presents live theater, which means it uses more red ink than black, if you know what I mean. And it has an online virtual tour so you can get an idea of the kind of view you will have from the different galleries. The seating plan is priced by "visibility rating"--again with a clickable picture so you can get an idea of how your view will be affected by the structure itself.
Hells, even places like Hotels.com send actual human beings to check out the hotels--and if you end up in a hotel room you don't like, there is SOMEBODY who is EASY TO FIND whose JOB IT IS to do what they can to MAKE THINGS RIGHT--or at least enough better so you are satisfied.
So why is there is fatalism about a concert. Sure, once U2 leaves Chicago, they are gone and its not as easy as getting another hotel, or seeing another showing of a movie. But that doesn't mean that the situation is all or nothing. Ticketmaster should have a specific and EASILY LOCATED location where complaints can be addressed. They could refund the ticket price, or have left over comp tickets to exchange. They could have recommended alternative sites where you could get a better view. They could offer comp tickets to later concerts in different cities. They could give you free tour merchandise up to the face value of your tickets.

This is an awfully huge structure, to be unable to see. And to be overpowered by utility lights on the stairways.
Ticketmaster should be required to scope out the venue and be forthright about any obstructions or other issues. Had there been no overhang, my seats would have been great. In fact, the seats directly across the field were open to the sky, and the concert was everything it could have been from there--those tickets might even have been worth more than $250 a pop, the experience was that good.
But we should know that when the tickets go on sale. AND there should be a way to get some customer service at the event.
After all, Ticketmaster charges "handling fees" and "service fees" and we pay them, so it's not ridiculous for us to expect some service for those fees.
In New Jersey, Ticketmaster got into trouble over Bruce Springsteen tickets. Mere seconds after tickets went on sale, Ticketmaster announced that the event was sold out--and then redirected people to a "sister site" that had tickets available at inflated (a word which here means "scalper") prices. It totally looked like Ticketmaster bought its own tickets and then raised the prices--and it had to change its business practices.
Which is only a start, of course. Things could easily be better. It's amazing to me that we live in a world where a woman scalded by "hot coffee" can successfully sue McDonalds, but we have no recourse against a giant company like Ticketmaster.
Monday, September 14, 2009
In Which I Bitch About Soldier Field
One of the things Capt. Sweetie and I share is a geeky love for the Irish band U2. This is somewhat unusual for us, as we don't typically own the entire musical output of anybody. We're more eclectic than that. To put a positive spin on it.
But U2 is totally different. We have maybe a little fandom cred--Capt. Sweetie owned their first album "Boy" when it came out, and I certainly had them on my radar as well. But as the years passed, they kind of fell into the background. By the time "Joshua Tree" came out, we were in graduate school, where one has neither time nor money. When they took their turn into more experimental music with "Zooropa," we were new parents. Life was too busy to do much more than listen to the radio.
But then, in 2005, Capt. Sweetie said "Let's go see U2." Vertigo. It had been so long since I had been at a rock concert that I had more or less stopped thinking of them as part of my life at all. I can't remember if I took any convincing, but that was when we started catching up with the band's output and falling in love.
So when the latest album came out--"No Line on the Horizon," we were listening to it online before the actual release. One of Tonk's teachers mentioned "The new U2 album is coming out today" and Tonks was already sick of it. Thanks, U2.com!
Tickets went on sale, and I was clicking on "best available" mere seconds after the sale went live. Live, that is, for paid members of U2.com, limited to a set number of tickets and requiring a special password to purchase. That is to say, before they were available to the general public.
And I got great seats. On paper. Even with the front of the stage, on Adam's side, 17 rows up at Soldier Field in Chicago. Yup--we were taking our fandom to the next level of geekiness and actually travelling to another city for the concert. Roadtrip!!
We held those tickets for months, getting more and more excited about this concert. The reviews from Europe were positive, the set lists were nicely varied, we were ON! We flew down Saturday morning, checked into a lovely hotel, spent the afternoon basking in the sunshine of a delightful rooftop restaurant, and sauntered over to Soldier Field as evening fell. A perfect day, and a perfect night for an outdoor concert. Which we were prepared to enjoy from our really nice (and ridiculously expensive) seats.
The opening act was Snow Patrol, and we decided to forgo them. Like I said, U2 is an exception to my general non-immersion into music. We arrived in the stadium during their last song, and arrived at our seats once the house lights were on and the stage was being reset for My Band. Things were perfect.
Except they weren't. Our seats, these first tier, expensive, we-really-spent-too-much-but-this-is-U2, OMG we're so lucky seats--in short, they sucked. Completely and totally, even before the concert started.
First of all, although they were only 17 rows up, they were under an overhand for the next tier of seats. About 5 rows under the underhang, so not just "shaded" by the seats above; more like "tucked up under the eaves of the roof" overhang. This meant that we couldn't see any higher than the stage. So the 56 ton video screen was invisible to us. Well, if we scrunched down and nobody was standing up in front of us, we could see about the bottom third.
Then, they were only three rows down from the Concourse O' Stadium Food. So the lights of the hotdog and beer and popcorn and crap booths were shining over our shoulders and into our laps. It only got worse, but this was bad enough.
Bitter disappointment? Yup. Really bitter. As in "why the hell didn't I keep the General Admission tickets so I could actually SEE this concert." As in "I might as well not be here at all" bitter disappointment. I did not shed actual tears at this point, but all the excitement and crowd feeling you think you'd get at an event this size--was totally gone. I might as well be a sulky teenager in my room for all the joy I was feeling here. Capt. Sweetie could tell immediately that I was Not Happy, and he did his best to find the positives of the situation. Well, maybe it would be worth it to watch Adam and Larry and take a connoisseur's approach to this concert. And find another city to see them in. And, well, it IS U2, and the concert is guaranteed to be fabulous. Let's get over the bad and bask in the good.
He is a hero, but the circumstances were against him. Once the concert started, it became apparent that the damn overhang eliminated any treble sound. It really was a "Larry and Adam" show, because that was all we could hear: bass and drums. No guitar, no vocals. "Sorry folks, Bono and Edge couldn't make it tonight, but let's get it up for the U2 rhythm section!" But then, THEN, they did one of their patented things where on a key guitar riff the lights flood the stadium and bathe the audience in blue and green.
Except, see, over here by the vendors, there were these ceiling utility lights that stayed on, because without them, it was dangerously dark under the Damn Overhang. Four rows in front of us, people could see and hear and participate in the experience. Where we were, it was no better than sitting in someone's living room under the reading light while their kids played a concert DVD in another room. And we paid HOW MUCH for these tickets?
By this time, I was crying. I couldn't help it because it was so horribly horribly wrong. We couldn't see. We couldn't hear. We were so close, and might as well have been outside the stadium listening to what came out on the wind. By the fifth song, I had HAD IT. The cost-benefit calculus had shifted--I would rather leave to complain, no matter what I might miss, because I was already missing it anyway. After a brief stop to cry in the bathroom (so I wouldn't embarrass myself) I went in search of --what? What can be done at a time like this? Is there anyone who can refund my money? Can I find somewhere that is at least better than here? Someone I can bitch to?
It took a while--like another 4 songs, but I found somebody with the authority to do something. He handed me tickets on the other side of the stage, where there was no overhang. Downside, they were not together. But it was better than what we had, so we took it.
As I walked out from the vending corridor down to my seat--it was better than I had dreamed it would be for all those weeks before. The 360 video screen didn't just show the band, but was being used artistically. The light show turned the entire stadium different colors, and lights periodically shot up into the sky. The night was perfect, the band was phenomenal, and it was a FANTASTIC OUTSTANDING concert that totally filled my geeky fan girl heart.
It was nearly enough to make up for the horrible horrible start. I was in the front row, actually, and on Edge's side of the stage. When Bono came out on one of the bridges and pretended to climb down into the audience, he was straight in front of me, separated by a few yards of field. When the band played a remix version of "Crazy," Larry stopped right in front of me with his cool African drum. Words can't really capture the feeling of being surrounded by music and lights, being immersed in music I love, while simultaneously being close to the actual human beings who are making the music. I need to stress this, because the concert was wonderful, and as I walked into the arena to the new seats I got to have that moment where you have to stop and say "This is AWESOME!"
But there is always a "but," isn't there. Who the hell authorized those seats to be sold as premium seats? There was a jerk behind us in the crappy section who Would Not Shut Up about "They had no business selling these seats without saying they were obstructed view." He was a jerk, but he was absolutely correct. They should not have been sold at top price. They probably shouldn't have been sold at all. And as a result of the crappiness of the seats, I missed 40% of the show trying to make them work, and then trying to do something about it. AND I didn't get to see the show with Capt. Sweetie, which wasn't fair either.
So, to whom do I complain? Ticketmaster? U2? Soldier Field? What can I reasonably expect to get to make it better? I think a complaint is more productive if I know what I want them to do in response. Certainly Ticketmaster needs to re-price those tickets and label them "poor acoustics and obstructed view." They might be great seats for a football game, but I doubt even that. U2 should know that someone is screwing with their fans and debasing their goodwill by charging top dollar for seats that aren't as good as staying home and watching TV. Without stereo. Soldier Field needs to be honest with any act that comes through that location--first tier seats on the east side of the field will suck if above row 12. Seriously.
So that would be my mitzvah for the day, but I was cheated and I want to get something to make up for that. Equivalent seats for a concert date here would be nice, assuming they are coming here at all this tour. Equivalent seats for a concert date somewhere on the current tour would also be an option as well. But are those realistic? What is my bottom line to shut up and go away--if I know what that is, I'll get at least that, and I'll do it in a way that is courteous and civil but determined.
Any hints?
But U2 is totally different. We have maybe a little fandom cred--Capt. Sweetie owned their first album "Boy" when it came out, and I certainly had them on my radar as well. But as the years passed, they kind of fell into the background. By the time "Joshua Tree" came out, we were in graduate school, where one has neither time nor money. When they took their turn into more experimental music with "Zooropa," we were new parents. Life was too busy to do much more than listen to the radio.
But then, in 2005, Capt. Sweetie said "Let's go see U2." Vertigo. It had been so long since I had been at a rock concert that I had more or less stopped thinking of them as part of my life at all. I can't remember if I took any convincing, but that was when we started catching up with the band's output and falling in love.
So when the latest album came out--"No Line on the Horizon," we were listening to it online before the actual release. One of Tonk's teachers mentioned "The new U2 album is coming out today" and Tonks was already sick of it. Thanks, U2.com!
Tickets went on sale, and I was clicking on "best available" mere seconds after the sale went live. Live, that is, for paid members of U2.com, limited to a set number of tickets and requiring a special password to purchase. That is to say, before they were available to the general public.
And I got great seats. On paper. Even with the front of the stage, on Adam's side, 17 rows up at Soldier Field in Chicago. Yup--we were taking our fandom to the next level of geekiness and actually travelling to another city for the concert. Roadtrip!!
We held those tickets for months, getting more and more excited about this concert. The reviews from Europe were positive, the set lists were nicely varied, we were ON! We flew down Saturday morning, checked into a lovely hotel, spent the afternoon basking in the sunshine of a delightful rooftop restaurant, and sauntered over to Soldier Field as evening fell. A perfect day, and a perfect night for an outdoor concert. Which we were prepared to enjoy from our really nice (and ridiculously expensive) seats.
The opening act was Snow Patrol, and we decided to forgo them. Like I said, U2 is an exception to my general non-immersion into music. We arrived in the stadium during their last song, and arrived at our seats once the house lights were on and the stage was being reset for My Band. Things were perfect.
Except they weren't. Our seats, these first tier, expensive, we-really-spent-too-much-but-this-is-U2, OMG we're so lucky seats--in short, they sucked. Completely and totally, even before the concert started.
First of all, although they were only 17 rows up, they were under an overhand for the next tier of seats. About 5 rows under the underhang, so not just "shaded" by the seats above; more like "tucked up under the eaves of the roof" overhang. This meant that we couldn't see any higher than the stage. So the 56 ton video screen was invisible to us. Well, if we scrunched down and nobody was standing up in front of us, we could see about the bottom third.
Then, they were only three rows down from the Concourse O' Stadium Food. So the lights of the hotdog and beer and popcorn and crap booths were shining over our shoulders and into our laps. It only got worse, but this was bad enough.
Bitter disappointment? Yup. Really bitter. As in "why the hell didn't I keep the General Admission tickets so I could actually SEE this concert." As in "I might as well not be here at all" bitter disappointment. I did not shed actual tears at this point, but all the excitement and crowd feeling you think you'd get at an event this size--was totally gone. I might as well be a sulky teenager in my room for all the joy I was feeling here. Capt. Sweetie could tell immediately that I was Not Happy, and he did his best to find the positives of the situation. Well, maybe it would be worth it to watch Adam and Larry and take a connoisseur's approach to this concert. And find another city to see them in. And, well, it IS U2, and the concert is guaranteed to be fabulous. Let's get over the bad and bask in the good.
He is a hero, but the circumstances were against him. Once the concert started, it became apparent that the damn overhang eliminated any treble sound. It really was a "Larry and Adam" show, because that was all we could hear: bass and drums. No guitar, no vocals. "Sorry folks, Bono and Edge couldn't make it tonight, but let's get it up for the U2 rhythm section!" But then, THEN, they did one of their patented things where on a key guitar riff the lights flood the stadium and bathe the audience in blue and green.
Except, see, over here by the vendors, there were these ceiling utility lights that stayed on, because without them, it was dangerously dark under the Damn Overhang. Four rows in front of us, people could see and hear and participate in the experience. Where we were, it was no better than sitting in someone's living room under the reading light while their kids played a concert DVD in another room. And we paid HOW MUCH for these tickets?
By this time, I was crying. I couldn't help it because it was so horribly horribly wrong. We couldn't see. We couldn't hear. We were so close, and might as well have been outside the stadium listening to what came out on the wind. By the fifth song, I had HAD IT. The cost-benefit calculus had shifted--I would rather leave to complain, no matter what I might miss, because I was already missing it anyway. After a brief stop to cry in the bathroom (so I wouldn't embarrass myself) I went in search of --what? What can be done at a time like this? Is there anyone who can refund my money? Can I find somewhere that is at least better than here? Someone I can bitch to?
It took a while--like another 4 songs, but I found somebody with the authority to do something. He handed me tickets on the other side of the stage, where there was no overhang. Downside, they were not together. But it was better than what we had, so we took it.
As I walked out from the vending corridor down to my seat--it was better than I had dreamed it would be for all those weeks before. The 360 video screen didn't just show the band, but was being used artistically. The light show turned the entire stadium different colors, and lights periodically shot up into the sky. The night was perfect, the band was phenomenal, and it was a FANTASTIC OUTSTANDING concert that totally filled my geeky fan girl heart.
It was nearly enough to make up for the horrible horrible start. I was in the front row, actually, and on Edge's side of the stage. When Bono came out on one of the bridges and pretended to climb down into the audience, he was straight in front of me, separated by a few yards of field. When the band played a remix version of "Crazy," Larry stopped right in front of me with his cool African drum. Words can't really capture the feeling of being surrounded by music and lights, being immersed in music I love, while simultaneously being close to the actual human beings who are making the music. I need to stress this, because the concert was wonderful, and as I walked into the arena to the new seats I got to have that moment where you have to stop and say "This is AWESOME!"
But there is always a "but," isn't there. Who the hell authorized those seats to be sold as premium seats? There was a jerk behind us in the crappy section who Would Not Shut Up about "They had no business selling these seats without saying they were obstructed view." He was a jerk, but he was absolutely correct. They should not have been sold at top price. They probably shouldn't have been sold at all. And as a result of the crappiness of the seats, I missed 40% of the show trying to make them work, and then trying to do something about it. AND I didn't get to see the show with Capt. Sweetie, which wasn't fair either.
So, to whom do I complain? Ticketmaster? U2? Soldier Field? What can I reasonably expect to get to make it better? I think a complaint is more productive if I know what I want them to do in response. Certainly Ticketmaster needs to re-price those tickets and label them "poor acoustics and obstructed view." They might be great seats for a football game, but I doubt even that. U2 should know that someone is screwing with their fans and debasing their goodwill by charging top dollar for seats that aren't as good as staying home and watching TV. Without stereo. Soldier Field needs to be honest with any act that comes through that location--first tier seats on the east side of the field will suck if above row 12. Seriously.
So that would be my mitzvah for the day, but I was cheated and I want to get something to make up for that. Equivalent seats for a concert date here would be nice, assuming they are coming here at all this tour. Equivalent seats for a concert date somewhere on the current tour would also be an option as well. But are those realistic? What is my bottom line to shut up and go away--if I know what that is, I'll get at least that, and I'll do it in a way that is courteous and civil but determined.
Any hints?
Saturday, September 12, 2009
Why Do We Even Have That Blog, Kronk?

One of the (many) great moments in The Emperor's New Groove happens after Yzma and Kronk attempt to enter the secret lab. "Pull the lever, Kronk!" cries Yzma, and she disappears through the floor.
Fractions of a second later, she re-enters the room, pulling a crocodile off. "Why do we even have that lever?" she asks.
Good question. And why do I even have this blog if I never post? Also a good question.
So here I am, with a brain full of entries I've meant to post and just haven't. I may have to clear out some backlog before any of the new merchandise (ideas) have room on the shelves. Or maybe something will simply force its way to the front of the store.
Right now, I am sitting in a lovely hotel room in Chicago, ready to go to the U2 concert, watching the DVD of their Chicago Vertigo concert from 2005. This is a big deal for us, as it is a new stage in our lives. The girls voted to stay home overnight by themselves, and so Cpt. Sweetie and I flew off this afternoon for a one day trip. We will be home about 30 hours after we left, but there may be longer trips in the near future depending on how this one goes.
We spent the afternoon at the Terrace Cafe here in the Conrad Hotel, splitting a pitcher of sangria and eating a very late lunch, soaking up the beautiful weather and enjoying some quiet, undistracted time together. We discussed plans for our new landscaping, solved Obama's problems with health care reform, and. . .well, I don't remember everything. I DO remember the sangria, though! That counts for something. Right?
The concert promises to be great, and if it is even half as great as I think it will be, we will go back again once the band comes to the Twin Cities.
And you know what? I have always liked the spinach puffs.
Wednesday, August 12, 2009
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